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September 9, 2009

Comparing Ordinary Wide to Tilt-Shift Wide


Chuck Guthrie was next to me shooting the fountain and building behind it with a 16-35mm wide angle lens tilted up to get the fountain and the building in the frame (right side with converging vertical lines). He sent his frame beside the Tilt-Shift lens version (left side).

Major difference; most architects would opt for the parallel lines.

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